Commentary & Reviews

"...a vital sensing of space in a formal compositonic sense as well as in realization through colour." Hans Hofmann commentary, October 5, 1959

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"The work recalls that of Kandinski ... sound craftsmanship ... the artist makes an original statement ... rises to lyric heights." Washington Post, February 4, 1960

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 "...she abstracts from nature with a poetic intensity that isolates filamentous forms amongst drowsy colors, giving a noonday effect of mid-summer heat." New York Times, February 2, 1962

 

 "Mary Rogers presents large, paint-filled canvases alive with color and a lyrical, often rapturous response to nature.  This she translates with abstract-expressionist enthusiam... she sweeps you right along with her in a thoroughly infectious and commendable way." The Boston Globe, June 17, 1962